Flemish painter (b. ca. 1480, Bouvignes, d. 1524, Antwerpen).   Related Paintings of PATENIER, Joachim :. | Landscape with the Flight into Egypt agh | Baptism of Christ | Landscape with the Rest on the Flight (detail) a | Baptism of Christ af | Charon ffh |
Related Artists:
Joachim Beuckelaer
1535-1574 Flemish Joachim Beuckelaer Galleries b Antwerp, c. 1534; dAntwerp, c. 1574). Flemish painter. He came from an Antwerp family of obscure painters and seems to have spent his entire life there. He trained in the studio of Pieter Aertsen, who in 1542 had married Beuckelaers aunt; he became an independent master and also married in 1560. His earliest known work dates from that year, and his development can be followed closely to 1570. The example of Beuckelaers master remained decisive throughout his career. Not only did he take over Aertsens new repertory of secular subjects, he also completely adopted his stylistic idiom and manner of painting, so that it can be difficult to distinguish the two hands. Beuckelaer was, however, by no means a slavish imitator, and as regards execution he fully bears comparison with Aertsen.
Benson, Frank
American, 1862-1951 American painter, etcher and teacher. He attended the School of the Museum of Fine Arts, Boston, from 1880 to 1883 as a student of Otto Grundmann (1844-90) and Frederick Crowninshield (1845-1918). In 1883 he travelled with his fellow student and lifelong friend Edmund C. Tarbell to Paris, where they both studied at the Acad?mie Julian for three years with Gustave Boulanger and Jules Lefebvre. Benson travelled with Tarbell to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. When he returned home, Benson became an instructor at the Portland (ME) School of Art, and after his marriage to Ellen Perry Peirson in 1888 he settled in Salem, MA. Benson taught with Tarbell at the Museum School in Boston from 1889 until their resignation over policy differences in 1913.
WILSON, Richard
Welsh Romantic Painter, ca.1713-1782 British landscape painter, b. Wales. He studied in London and achieved success as a portrait painter, but after a visit to Italy (c.1750?C1756) he devoted himself to landscape in the classical tradition of Claude Lorrain. The exhibition of Wilson's Niobe in 1760 won him acclaim, and he was made a member and later librarian of the Royal Academy. His work did not become generally popular until after his death. Although his Italian landscapes did not depart from the classical tradition of picturesque Roman ruins and recumbent nymphs, his work shows considerable originality and breadth of treatment, especially in his many fine paintings of English country houses. He exerted a strong influence on subsequent landscape painting in England. On Hounslow Heath (National Gall., London) and Afternoon and Lake Nemi